Exhibition Description 展覽前言

Memory and emotion are deeply intertwined, each triggering the other. In an era of emotional turmoil, memories can become disordered. As human beings, we have acquired the ability to recall memories and grasp the past after enduring countless life-and-death moments and triumphing over the threats posed by nature. However, this ability has also ushered in a state of chaos. We haphazardly piece together and manipulate different memories, sometimes even resorting to misuse and fabrication, resulting in a jumble of emotions.

Over the past year, Li Ning has explored new creative directions by reviewing and examining his printmaking methods and techniques. In this exhibition, he employed various printmaking techniques to create images, such as silk screen printing, linocut, and intaglio printing. He then collaged these images and placed them on three-dimensional installations, ultimately constructing a whimsical world in video format. The entire exhibition revolves around the theme of memory, with the process of printmaking serving as the metaphor, delving into the discovery of the matrix.

記憶和情感互為彼此的觸發點。在情感失控的年代，記憶也隨之失序。人類經歷了無數的生死關頭，在戰勝大自然帶來的威脅後，終於獲得了回憶的能力，掌握過去，同時也帶來混亂的開端 —— 人類將不同的記憶任意剪裁拼砌，甚至濫用、無中生有，情感也隨之失調。

過去一年，李寧透過回顧與檢視自己一貫的版畫創作方法，找出新的創作方向。是次展覽，他應用了多種版畫方式製作圖像，如絲印版畫、麻膠版畫、凹版畫等。他把製成的圖像拼貼起來，放置在立體裝置上，最後以動態影像的方式，建構了一個光怪陸離的世界。整個展覽以記憶為題，並以版畫的製作過程作為概念，開展一段尋找印版 (Matrix) 的旅程。

Exhibition Description Text Link 展覽前言全文連結